When implementing these recommendations, the public’s experience certainly needs to be taken into account. It was advised to lower light levels in adjacent areas to let the visitor’s eyes get accustomed to the dark. In the permanent exhibition setup, the very low light level requirements are met and a special reduced lighting accustomization zone has been installed before entering the exhibition room.
She collaborated with ICCROM for the SOIMA (Sound and Image Collections) Programme and worked for KIK-IRPA from 2007 until 2016. She is currently a member of the steering committee on “Mass Digitisation of the Flemish Photo collections” for meemoo (Flemish archives institute) and works as a heritage coordinator for Pajottenland Zennevallei. (Triennial Conference Preprints, Melbourne, Sept. 2014), Paris, 2004. A handbook for the preservation of textile collections, London, 2007. Storage at a Belgian institute before (a) and after (b) RE - ORG.
79After almost 60 years of operation, the KIK-IRPA’s primary function as a dynamic scientific institute is still more or less the same. Documentation, laboratories and conservation-restoration remain the three principal tasks. This is the obvious reason why its building has kept its original state. It has not become an empty, soulless box like dime-a-dozen office buildings in the capital and has not risked demolition. The collection plan is aimed to safeguard its historic interior ensemble for its future users and to tackle the threats and severe consequences that dissociation may cause.
With https://www.twitch.tv/amersfoortongediertebestr in Art History and Archaeology (VUB), Marjolijn Debulpaep then trained in conservation-restoration of paintings and in preventive conservation. She joined KIK-IRPA in 2001 and created the preventive conservation unit in 2007, which she still heads today. After graduating in the conservation-restoration of graphic art works (ENSAV La Cambre), Estelle De Bruyn specialized in preventive conservation through internships at the Canadian Conservation Institute and ICCROM. She joined the KIK-IRPA preventive conservation unit in 2017, where she works as a scientific collaborator. With an MA in Art History (ULB) and the conservation-restoration of graphic art works (ENSAV La Cambre), Laura Debry joined the KIK-IRPA preventive conservation unit in 2015, while working in parallel as an artworks restorer. Since 2016, she has taught the preventive conservation course at ENSAV La Cambre.
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Currently, he is working as a heritage consultant for the Flanders Heritage Agency. He is the author of several articles on 20th century interior design. 55The results show that the recorded acoustic vibrations meet the DIN 4150 standard and that they should not cause any risk for the hanging of the tapestry cartoon, even if the latter were to be suspended on one of the sidewalls of the museum.
72At a single glance, one can see that, following storage reorganization, storage conditions have improved after a RE - ORG campaign, and the same can be concluded by the self-evaluation form. But also in the use of the collection and the storage itself, the effects of RE - ORG can be felt in practice. It is not uncommon for objects thought to have been lost to reappear, as by reorganizing the risk of dissociation is also diminished. 4The degradation of nitrate film proceeds in various stages.8 (1) The film discolours towards an amber colour and fades. (3) Sticky and slimy blisters are formed between the support and the emulsion.
In this way the museum allows the public to enjoy the unique Enclosed Gardens while protecting them as much as possible from further light damage. Willemien Anaf has a PhD on the influence of air quality on heritage objects (UAntwerp) and specializes in risk assessment methods. Until the end of 2019, she supported the KIK-IRPA preventive conservation unit with her scientific expertise, working on research projects such as ArtGarden. 71Every institution gains insight by collecting all essential data, but also by quantifying them by means of one of the 15 worksheets. The situation is visually documented as well and literally mapped in different functional plans. As a result, each museum works out a solution adapted to its given situation.
This full-scale cartoon is thus one of the rare designs to have survived across the centuries. Like the tapestry itself, only 5/8 of the initial length remains (5 of the 8 lés ). Overview of the six scenarios for which future colour loss is calculated. 40Dye analysis was performed on small samples of the historical textile fragments, using HighPerformance Liquid Chromatography with Diode Array Detector. The blue dye was identified as indigo (Indigofera or Polygonum sp.) or dyer’s woad (Isatis tinctoria L.), while the green dye was a mixture of indigo or woad and yellow weed (Reseda luteola L.). 16To clarify this third type of degradation – biological attack – we describe below a specific part of a large and long-term project that started in 2012 and was completed only in 2018.
21].42 An action plan against water damage cannot be elaborated without considering storage rooms. As a matter of fact, approximately 90% of our cultural heritage is not on display but conserved in storage, out of sight of the public.43 Stored objects get less attention and fewer resources are allocated to them. Moreover, most of the infrastructure used for storage is not designed nor suitable for the conservation of a collection.
It stimulated different light exposure scenarios to investigate the impacts of lighting choices on the Enclosed Gardens preserved in Mechelen. It measured vibration risks for the collection of the City of Brussels Museum, located on the city’s noisy Grand-Place It carried out a series of tests to check the airtightness of a showcase against dust and several other pollutants. It also launched the RE - ORG Belgium national strategy to help small and medium-sized museums reorganize their storage, in a way that greatly reduces sudden risks such as fire, water damage or theft. Finally, the Unit has highlighted the dissociation process affecting the original furniture in the KIK-IRPA’s building. 78The collection plan consisted of an inventory, including a full and detailed description of all the original objects and furniture, enriched with historical documentation. In collaboration with KIK-IRPA photographers, high quality photographs were taken to help documenting, describing and assessing their condition in 2017.